A few lucky folks are given a fermentation crock as a gift and they think, hmmm, maybe I should try this thing called vegetable fermentation. They often end up at our classes (or learning with our book at their side). However for most of us, when the fermentation bug hits, the first thing we do is find a vessel—a jar or a crock. This often means a visit to the local kitchen store or online shopping. For Jeremy Ogusky, a Boston potter, this wasn’t an issue. He simply made himself a crock. (Who doesn’t wish they could do that.) He then made a few more for friends and family. After awhile a tiny housewares company, Williams-Sonoma, contacted him and offered to contract with him for hand-thrown clay crocks. You can watch him here. He said yes and realized this is fermentation’s moment to shine. Instead of just sitting in the studio turning out hundreds of crocks, Jeremy leapt into the brine—championing fermentation as well.
When I spoke to Jeremy what struck me most was his intense interest and skill in collaboration and connections. Fermentation pulls people together. Jeremy found the paths of folks with very different interests intersecting with fermentation. When he explained this I imagined roads—the thought paths of science, health, food lovers, food makers, artists, farmers, preservationists, urban homesteaders, DIY—converging from all directions at a giant handmade clay crock of fermented vegetables. (A bit like all the roads that led to Rome.)
For the past five years Jeremy has cultivated his role as a thought leader in the fermentation renaissance by collaborating with many folks around Boston to bring this delicious food to the forefront. He is responsible for the group known as Boston Ferments which started out as a loose band of fermentation enthusiasts and has grown to a group that hosts the Boston Fermentation Festival, fermentation workshops, fermentation themed dinners in restaurants, and Kraut Mobs. (Yes, “mobsters” show up at farmer’s markets or food festivals with 50 pounds of cabbage, cutting boards, knives, bowls, salt and jars and invite people to make sauerkraut.)
For Jeremy, who's first career path was public health, the clay work blends well with his interest in nourishing food. He is interested in the intersections of his own work with clay and fermentation. Clay working is one of our oldest crafts—born solely for function, vessels in which to cook, serve and store (or preserve) foodstuffs. You can see where this is going. If fermentation is one of the oldest methods of preservation, one has to ask what came first? Did we ferment once we had pots or did we create vessels to help our fermentations?
Handmade stoneware began as utility but now it is often sold as art. As many of my readers know I appreciate functional art. I find that these fun and beautiful tools with a story inspire the food I create.
On our counter, Jeremy’s faded denim-colored crock boldly proclaims, “ferment.” This is more than just a label of the contents within—this word also reminds us to slow down and take time. Find the comfort in allowing your ideas and projects, (or vegetables) to sit quietly before breaking out in a bubbling frenzy of creativity (or taste).